beNOLAbound – A Business Test for New Orleans


New_orleans_satellite

Ever since my life-changing experience with NOLAbound back in March, my fellow NOLAbounders and I have been publicly blogging and privately discussing behind-the-scenes about our unique experiences.  I wanted to wait at least a month before my next posts, to allow some time to click by and the NOLAbound hangover to subside.

While most conversations we had were private, the public conversations had specifically focused on the process of moving to, and creating businesses in New Orleans.  Some of us had decided we are going to put New Orleans (NOLA) to the test — starting a business.

Of our NOLAbounders, one is already putting New Orleans to the test.  Chris Boyd sold his house in Houston, packed his bags, quit his ‘corporate job’ and moved to New Orleans.  Oh, and launched his iPhone and iPad app developer start-up Apptitude.  Go Chris!  Go.

THE TIME HAS COME

Several other NOLAbounders have expressed similar interest in opening their own businesses in New Orleans, too.  I am one of those.  After three decades in the film and television industry in Hollywood, I see great opportunities in The Big Easy to launch an incubator studio and production company.

The start-up idea actually came to me post-Katrina, when I was wondering about the local independent filmmaking community and where it had gone.  I lobbied and brought the 48 Hour Film Project to New Orleans and launched its inaugural year.  Were it not for my efforts in bringing this competition to NOLA, I wonder what would have ever happened to the local indie community.  I’m proud to say the competition is still going strong.

Stan Gill gave the independent film community a collective voice overnight. — John Dean Alfone, Corsair Media Productions

This ‘incubator idea’ I had been working on was an effort to develop the skills base and crew talent base in New Orleans and its surrounding areas.  Bringing some of my friends who are professionals in their trades in Hollywood to NOLA to teach others in classes was the original incarnation of my idea.

Unfortunately, life took me in another direction.  New beginnings.  Flash forward to 2012.

TESTING … ONE, TWO, THREE

It’s now time to bring my start-up to New Orleans.

I will be testing the waters (pun intended) of New Orleans’ so-called new approach to business and see whether or not NOLA is all talk and no action.  My past has shown NOLA to be all talk and horrible action.  New Orleans’ political and business past are fresh in my mind, so cynicism is probably too light a word for me.

While I have read volumes of articles and studies heralding New Orleans’ and Louisiana’s new business climate, I will report back — the good, the bad and the ugly — of my experiences with New Orleans.  I believe this would only be fair to those who are reading my posts, prospective businesses looking at NOLA and the three organizations responsible for NOLAbound 2012 — Downtown Development District, Greater New Orleans, Inc. and The Idea Village.

In future posts I’ll provide more details on this entrepreneurial start-up.  In the meantime, think entertainment incubator, studio and production company ideas.

Wish me luck.

–SG

Stanley B. Gill ∷ Producer | Director


How Academy Award Winning Moonbot Studios Made It In Louisiana


Moonbot Studios – Louisiana’s Custom-fit Solution

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Moonbot Studios, an Oscar®-winner for best animated short, could have opened their animation company anywhere. See how Louisiana’s custom-fit solutions gave them a jump start.

Louisiana Entertainment

Louisiana Economic Development


beNOLAbound – Dear New Orleans


The wonderful photographer Robert X. Fogarty asked we NOLAbounders this simple question, “Dear New Orleans … fill in the blank.”

My response was, “Dear New Orleans, if you had a script, this would be the first two lines …”

EXT. New Orleans – Day

Our hero is NOLAbound.

Dear New Orleans -- NOLAbounder Stan Gill

It wasn’t until later that night, someone asked me what was written on my arms, to which I replied with the above answer.

Then it hit me.  For some karmic reason, it appeared my subconscious was telling me I would soon be NOLAbound.  If I had a mirror, shock would have enveloped the glass.

I’ve learned never to argue with myself now.

You can find Robert’s work here:

Twitter

Facebook

Dear World

–SG

NOTE:  EXT. means Exterior as opposed to Interior.

Stanley B. Gill ∷ Producer | Director


Louisiana Production Hotline – March 23, 2012


What’s happening in HollywoodSouth?

Louisiana Entertainment Hotline: Welcome to 225.342.FILM, the official HOTLINE of Louisiana Entertainment, a division of Louisiana Economic Development.

Pre-Production

One Eyed Dog Films’ feature film “Cutter” will start shooting summer 2012 for 10 weeks in Baton Rouge. Please direct resumes to lana {at} one-eyed-dog-films.com

Emmett/Furla Films’ feature film “Empire State” starring Liam Hemsworth and Dwayne Johnson will shoot April 30 for 20 days in New Orleans. Please direct resumes to empirestateresumes {at} gmail.com

Mimran Schur Pictures feature film “Pawn Shop Chronicles” will shoot June 1, 2012 to June 30, 2012 in Baton Rouge and surrounding areas. Please direct resumes to pawnshopchronicles {at} gmail.com

Rugaru Productions’ feature film Rugaru starring Joe Estevez and Randall Oliver will shoot April 1, 2012 to May 15, 2012 in New Roads, Greensburg, and Maurepas. Please direct resumes to rugaruproductions {at} gmail.com

Freedom Films’ feature film “Thunder Run” starring Gerard Butler, Sam Worthington, and Matthew McConaughey will shoot May 1, 2012 to July 15, 2012 in Baton Rouge. Please direct resumes to info {at} freedomfilmsllc.com

Emmett/Furla Films feature film “The Tomb” starring Sylvester Stallone and Arnold Schwarzenegger will shoot April 16, 2012 to June 15, 2012 in and around New Orleans. Please direct resumes to thetombresumes {at} gmail.com

Filming

Weinstein Company’s feature film “Django Unchained” starring Leonardo DiCaprio, Joseph Gordon-Levitt, Samuel L. Jackson, and Jamie Foxx will start shooting February 28, 2012 to June 2012 in New Orleans. Please direct resumes to djangoprodoffice {at} gmail.com or supercoolresumes {at} gmail.com

Summit Entertainment’s feature film “Ender’s Game” will shoot February 24, 2012 to June 8, 2012 in New Orleans. Please direct resumes to egmovie {at} gmail.com

Flying Monkey’s Productions’ feature film “Heebie Jeebies” is shooting March 19, 2012 to April 4, 2012 in Baton Rouge and surrounding areas. Please direct resumes to heebiejeebiesfilm {at} gmail.com

Chockstone Pictures’ feature film “The Host” starring Saoirse Ronan is shooting February 13, 2012 to April 20, 2012 in Baton Rouge and New Orleans. Please direct resumes to host.resumes {at} gmail.com or FAX resumes to 225.952.9030

Strike Entertainment’s feature film “The Last Exorcism II” starring Ashley Bell will shoot March 19, 2012 to April 21, 2012 in New Orleans. Please direct resumes to tle2prodoffice {at} gmail.com

Summit Entertainment’s feature film “Now You See Me” starring Mark Ruffalo, Morgan Freeman, and Jesse Eisenberg will shoot January 16, 2012 to March 26, 2012 in New Orleans. Please direct resumes to nowyouseeme2011 {at} gmail.com

Universal Pictures’ feature film “Oblivion” (Horizons) starring Tom Cruise and Morgan Freeman is shooting March 12, 2012 to May 25, 2012 in Baton Rouge and New Orleans. Please direct resumes to craterlakeprods {at} gmail.com

HBO’s television series “Treme” (Season 3) is shooting October 31, 2011 to May 17, 2012 in New Orleans. Please direct resumes for CREW POSITIONS only to blowndeadlineprod {at} gmail.com. For CASTING POSITIONS only, please direct resumes to tremeextras {at} @gmail.com

Mandate Pictures’ feature film “Untitled Diablo Cody Project” will shoot March 5, 2012 to April 12, 2012 (approximate dates) in New Orleans. Please direct resumes to LambProductionsResumes {at} gmail.com

Flying Monkey’s Productions’ feature film “Winged Terror” is shooting March 19, 2012 to April 4, 2012 in Baton Rouge and surrounding areas. Please direct resumes to wingedterrorfilm {at} gmail.com

For projects not listed here which may have been listed before, check with previous Louisiana Production Hotline posts.

For more information about the film and television industry in Louisiana visit the official Louisiana Entertainment website.

Good luck everyone!

Stanley B. Gill
Founder & Editor In Chief


beNOLAbound – Kill Me Once, Shame On You – Kill Me Twice, Shame On Me


NEW ORLEANS – The Big Easy is one of the most alluring cities in the world. While I have traveled the Big Blue Marble, I have not seen as many cities and continents as my heart desires. Be forewarned, I was raised in New Orleans so my bias is strong. Or, cynical. You decide.

During my life-changing experience as a NOLAbounder, I was having a passionate conversation with one of the stakeholders in this whole out-of-the-box-and-planet experiment. Apparently, I had uttered something she thought was profound.

She cut-in, “Wait! What did you just say?” To which I replied, “What? What did I say?” While fumbling around, I finally recalled:

I don’t know if I’m a cynic because I was raised in New Orleans, or because I work in Hollywood, but I’m a convert for my own city.

Maybe it’s this cynicism which keeps me protected in the Land of No — Hollywood. Maybe, it’s what made me write on my application for the beNOLAbound experiment, in answer to the question:

“Single most important issue facing New Orleans?”

To which I penned, “When New Orleans lowers its carnival mask, as divisive and unpleasant a sight it may be, her single most important issue is today’s rate of murders and crime. While those more scholarly than I can provide a better examination as to the history and causes, it’s certainly the black veil hanging over New Orleans which she has not emerged from. Whether a real or perceived issue, New Orleans will be frozen in this state until she can provide safe harbor for those tourists and businesses desiring to come to the city, as well as for her residents.”

Cynical? Maybe. Did I mean it? Yes. Oh, I meant it.

Maybe I was trying to protect myself — if and only if I was selected — to be a NOLAbounder. That way I could easily wiggle out of any nasty political issues, if need be. I hedged my bet.

CONGRATULATIONS — You’re a NOLAbounder!

Well, guess what? I was selected along with 26 outstanding applicants to take part in this experiment, which had as much chance to go horribly wrong, as it did to go horribly right.

We were told there would be a documentary crew following us and upon arriving in New Orleans, we would be immediately interviewed. After being searched by the TSA before I even got on the plane — I was fearless. Walking funny, but I was fearless.

Now, what do you think the first question I was asked? You got it. What were my thoughts on what I wrote with regards to the crime problem in New Orleans? To add to the tension, I had such a crushing migraine from sleeping on the flight over from Los Angeles, I could barely utter my name.

So, I stuck to my guns and tried desperately to remember what I wrote. I spent enough time thinking about my answer to that question, I should have had it memorized.

Blank. Dumb. Stare.

Eventually, I think, maybe, probably, I said something similar to what I wrote. Yet, I was serious about my task given to me by the beNOLAbound challenge. I meant every word. Even if I couldn’t remember what I wrote.

FOUGHT THE LAW BUT WE BOTH WON

New Orleans Police Chief Serpas being interviewed for documentary on beNOLAbound

Part of our beNOLAbound experiences included a Key Issue Panel Discussion at the New Orleans Center for Creative Arts (NOCCA). The NOLAbound team had done their homework. And, boy did they. They were setting the NOLAbounders up with key influencers in the city. And who do you think would be one of the most key influencers?

The man himself, New Orleans Police Department Chief Ronal W. Serpas.

From Los Angeles, I’ve only seen Chief Serpas through the main stream media lens. Short sound bites and frequent cuts of full sentences. A few problems immediately come to my mind. One is, the Chief could rival any offensive lineman the New Orleans Saints has. *He has to be a 6’10″ corn-fed boy, or pretty close to it. Another is the instant command presence he had in front of our group. The Chief certainly has seen a shadier bunch than us before and as a leader, I could see he had to have a command presence. As a Navy Veteran, I was struck by his awesome command presence.

Okay, good so far. I was waiting a few minutes for him to finish his standard answers to practically the same topics he has to talk about all the time. Though I don’t directly work in the journalism arena, being a public speaker and media trainer gave me the weapons I needed to fight through all the bullet points the Chief was about to give us.

Every one of my fellow NOLAbounders began to lob pointed and relative questions towards the Chief. I didn’t hear once a question a TV reporter would ever ask, maybe out of fear their press credentials would be revoked for asking tough, pointed questions. What was the Chief going to do to us? We weren’t the press. We were the NOLAbounders tasked with a mission. And that mission was going to be achieved.

Then it hit me. Looking directly across at this man, this leader (whose job you couldn’t pay me enough to take), began to make quizzical faces as if he’d never heard these questions before. His responses gave him away when he told us we were asking really poignant questions. Trust me when I say my questions weren’t as nearly as tough as my fellow NOLAbounder’s.

Here is our exchange, as best as I can remember:

First, I introduced myself, “Chief, Stan Gill, I’m a film and television producer out of Los Angeles via the Westbank (of New Orleans).”

He cuts me off, “I grew up on the Westbank.” “Yeah, yeah, don’t throw me off course,” I thought to myself.

“Chief, what is your opinion on the national main stream media and how fair it treats New Orleans’ crime problems?” What happened next, I never expected. Chief Serpas grinned from ear-to-ear. That little bit of body language told me he completely understood New Orleans was not getting a fair shake from the national main stream media and he was about to say his peace.

To paraphrase, he relayed his department had two issues, with regards to my question. One, the New Orleans Police Department (NOPD) needed to do a better job of getting relative, timely and accurate information out to the public. He readily admitted the NOPD was not doing that efficiently. Two, he would hope when his department achieves those goals, that the national main stream media would then reluctantly have to give New Orleans a fairer outlook with regards to its crime problems. Yeah, good luck with that. But, he reeled me in.

Save for the spikes in certain areas of crime, for example the rate of homicides in New Orleans versus the national average, Chief Serpas did not shy away and give us a convoluted answer. He was direct. He was to the point. And, I sensed he felt he needed help. Help which could only be solved by better budgets.

I can tell you by sitting there for hours and finally putting the Chief on-the-spot (because I didn’t have a press pass to revoke), Chief Ronal Serpas is the right man for the right job.

He even inspired me while sitting in front of him, to come up with a thumbnail action plan where my company could actually help the NOPD with these issues the Chief spoke about. I was in. How could I help solve these problems? I had a plan. I just had to be asked to help.

SHOOT ME CHIEF, I DARE YOU

My second question went something like this, “Chief, why don’t you just pack-it-in? Go somewhere else where you can make more money and not have to deal with these headaches here in New Orleans. You know you can make more money.”

Ron Serpas smiled and said, “I love this city. I grew up here.”

Signed. Sealed. Delivered.

I replied, “Chief, I see you through the media lens out in Los Angeles. The sound bites. The cut-off sentences. No in-depth coverage. Thank you for your service to my city.”

Whether real, or perceived, there was a tension in the air which slowly vanished when I heard sighs of relief come from within the room. Was I too arrogant to ask my questions? Was I rude? Did I embarrass my fellow NOLAbounders by coming out firing?

I don’t think so. I think the entire room felt the same as I did — Chief Serpas is the right man for the right job. He had convinced me.

Keep my city protected, Chief.

I’m coming home and I have a plan.

New Orleans Police Chief Serpas and NOLAbounder Stan Gill

AUTHOR’S NOTE:
To be fair, I have no idea whether or not press credentials are pulled from reporters asking pointed questions as the NOLAbounders did. I doubt credentials would be pulled after listening to the Chief. He’s a leader.
Oh, by the way, this experiment went horribly right.

*Chief Serpas has since corrected me to say he’s actually 6’5″ and CRAWFISH-fed. Duly noted, Chief. Duly noted.

Stanley B. Gill ∷ Producer | Director


beNOLAbound – Dear New Orleans Is A Script Of Your Life


Dear New Orleans -- NOLAbounder Stan Gill

If New Orleans has a script, this would be the first two lines:

EXT. New Orleans – DAY

Our hero is NOLAbound.

http://DearWorld.me
http://Facebook.com/WriteOurFuture
http://Twitter.com/rxfogarty

Stanley B. Gill ∷ Producer | Director


beNOLAbound – Culture Is Absorbed As Much As Taught In New Orleans


Ashe Cultural Arts Center New Orleans

The elders of New Orleans know the responsibility to their children.

Culture is passed down so that each generation shall teach their own.

Family is strong in NOLA.

Help support Kid’s Play NOLA.

http://igg.me/p/27221

They need cash, space and an office.

Your soul will be thankful.

Stanley B. Gill ∷ Producer | Director